![]() ![]() Baritone Edward Parks’ Count was stupendous - beautifully sung while calling just the right amount of attention to the confusion and hypocrisy of his “royal highness.” (2014) "Uniformly excellent performances were distinguished by two absolute gems. He sings with great authority, both in his many ensembles and his enormous Act III aria." (2014) Baritone Edward Parks is an imposing presence as the morally bankrupt Count Almaviva. ![]() "The corresponding aristocratic "upstairs" couple is no less delightful. "But the show belongs to Figaro, the barber.In the role, Edward Parks has commanding stage presence, and his lusty baritone matched the glee on his expressive face." (2013) ![]() "The most compelling performance of the night was the Marcello of Edward Parks, whose warm, velvety baritone filled the house as he portrayed the frustrations of a passionate man." (2013) "Edward Parks Sharpless in one of the evenings highlights, he has a beautiful Baritone voice that is ideally suited to the role, so one hopes that there will be more Sharplesses in his future." (2012) Parks used his rich, expressive voice." (2008) (He) sang with plenty of dynamic contrast and fine control. "A talented young Baritone.sang with a full-blooded mellifluous voice and nuanced phrasing. He potently conveyed a virile wanderer." (Winterreise, Carnegie Hall, 2011) "He provided precision, sensitivity and nuance in abundance. ![]()
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